Marilyn Monroe 8×10 The Misfits Studio Photograph

Marilyn Monroe 8x10 The Misfits Studio Photograph

$199.0 Buy It Now or Best Offer
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Location: Beverly Hills, California
Ships to: US,
Item: 256682564622

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Industry:Movies
Size:8×10
Object Type:Photograph
Original/Reproduction:Original
Style:Black & White
Country/Region of Manufacture:United States

This Marilyn Monroe 8×10 Studio Photograph is the exact item you will receive and has been certified Authentic by REM Fine Collectibles. Norma Jeane Mortenson (June 1, 1926 – August 4, 1962), known professionally as Marylin Monroe was an American actress and model. Known for playing comic “blonde bombshell” characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as well as an emblem of the era’s sexual revolution. She was a top-billed actress for a decade, and her films grossed $200 million (equivalent to $2 billion in 2023) by the time of her death in 1962. Born and raised in Los Angeles, Monroe spent most of her childhood in a total of 12 foster homes and an orphanage before marrying James Dougherty at age sixteen. Her marriages to retired baseball star Joe DiMaggio and to playwright Arthur Miller were highly publicized. She was working in a factory during World War II when she met a photographer from the First Motion Picture Unit and began a successful pin-up modeling career, which led to short-lived film contracts with 20th Century Fox and Columbia Pictures. Something’s Got to Give is an unfinished American feature film shot in 1962, directed by George Cukor for 20th Century Fox and starring Marilyn Monroe, Dean Martin and Cyd Charisse. A remake of My Favorite Wife (1940), a screwball comedy starring Irene Dunne and Cary Grant, it was Monroe’s last work, but from the beginning of its production it was disrupted by her personal troubles, and after her death on August 4, 1962, the film was abandoned. Most of its completed footage remained unseen for many years. 20th Century Fox overhauled the entire production idea the following year with mostly new cast and crew and produced their My Favorite Wife remake, retitled Move Over, Darling (1963) and starring Doris Day, James Garner, and Polly Bergen. After a series of minor film roles, she signed a new contract with Fox in late 1950. Over the next two years, she became a popular actress with roles in several comedies, including As Young as You Feel and Monkey Business, and in the dramas Clash by Night and Don’t Bother to Knock. Monroe faced a scandal when it was revealed that she had posed for nude photographs prior to becoming a star, but the story did not damage her career and instead resulted in increased interest in her films. Robert Hanley “Bob” Willoughby (June 30, 1927 – 18 December 2009) was an American photographer. Popular Photography called him “The man who virtually invented the photojournalistic motion picture still.” Willoughby’s big break came when he was assigned by six magazines to photograph Judy Garland during the filming of A Star is Born (1954). Between 1948 and 1954, Willoughby’s exhibitions of photographs of jazz musicians and dancers led to a contract with Globe Photos, and one, of a screaming female audience, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art which toured the world to be seen by 9 million visitors. Later, he worked for Harper’s Bazaar magazine where his photographs illustrated arts and culture articles. By 1953, Monroe was one of the most marketable Hollywood stars. She had leading roles in the film noir Niagara, which overtly relied on her sex appeal, and the comedies Gentlemen Prefer Blondes and How to Marry a Millionaire, which established her star image as a “dumb blonde”. The same year, her nude images were used as the centerfold and on the cover of the first issue of Playboy. Monroe played a significant role in the creation and management of her public image throughout her career, but felt disappointed when typecast and underpaid by the studio. She was briefly suspended in early 1954 for refusing a film project but returned to star in The Seven Year Itch (1955), one of the biggest box office successes of her career. When the studio was still reluctant to change Monroe’s contract, she founded her own film production company in 1954. She dedicated 1955 to building the company and began studying method acting under Lee Strasberg at the Actors Studio. Later that year, Fox awarded her a new contract, which gave her more control and a larger salary. Her subsequent roles included a critically acclaimed performance in Bus Stop (1956) and her first independent production in The Prince and the Showgirl (1957). She won a Golden Globe for Best Actress for her role in Some Like It Hot (1959), a critical and commercial success. Her last completed film was the drama The Misfits (1961). According to The Guide to United States Popular Culture, “as an icon of American popular culture, Monroe’s few rivals in popularity include Elvis Presley and Mickey Mouse… no other star has ever inspired such a wide range of emotions—from lust to pity, from envy to remorse.” Art historian Gail Levin stated that Monroe may have been “the most photographed person of the 20th century”, and The American Film Institute has named her the sixth greatest female screen legend in American film history. The Smithsonian Institution has included her on their list of “100 Most Significant Americans of All Time”, and both Variety and VH1 have placed her in the top ten in their rankings of the greatest popular culture icons of the twentieth century.

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