Calvin Klein Jeans Iconic Retro Wool Coat Blazer Coat Jacket M 38

$297.52 Buy It Now or Best Offer
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Location: Köln
Ships to: US,
Item: 276538559114

Return shipping will be paid by:Seller
Returns Accepted:Returns Accepted
Item must be returned within:60 Days
Return policy details:
Calvin Klein:Calvin Klein
Size:M
Season:Spring,Summer,Winter,Autumn
Jacket/Coat Length:Half Long
Closure:Button
Outer Shell Material:wool mix
Lining Material:Wool
Features:All Seasons,Breathable
Color:Black
EAN:4065163000034
Occasion:Business
Style:Coat
Size Type:Normal Size
Figure:COAT, Angel
Fabric Type:Wool
Department:Women
Theme:Retro
Vintage:No
MPN:Does not apply
Insulation Material:Polyester
Type:Jacket

No design templatecalvin klein Jeans Iconic Cult Coat SIZE : IT / EU WOMENS : MEDIUM / 38OUR NORMAL STORE PRICE : 535 EUROWarming wool classicA coat ? Yes, please! This coat is made of wool and is the perfect way to round off any outfit.”Standstill is death.” The jacket specialist recognized this early on and transferred his soft spot for jackets with history to the coat.100% Authentic, GuaranteedAuthenticity is the foundation of our business, and every item we sell is inspected by our expert team. Our authenticators are the most experienced and highly trained in the business. In addition, we source our products only from trusted suppliers. –English: Warming wool classiccalvin klein Jacket ? Yes, please! This jacket is made from wool and is the perfect way to complete any outfit. “Standing still is death.” The jacket specialist recognized this early on and transferred his passion for jackets with history to the coat. 100% authentic, guaranteedAuthenticity is the foundation of our business and every item we sell is inspected by our team of experts. Our authenticators are the most experienced and highly trained in the industry. In addition, we only source our products from trusted suppliers. –Brand information calvin klein : calvin klein is still an enigma. Yes, we’re aware of his underwear and his fragrance, but how he got to that point is still something of a mystery. Klein has re-entered the public sphere lately, giving a series of interviews about the brand he sold to Phillips-Van Heusen Corp in December 2002.Klein graduated from the High School of Industrial Arts and in the fall of 1960, started at the Fashion Institute of Technology (FIT). His first full job in fashion was in 1961, when he took on a copyboy role in the art department at WWD. In January 1963, he graduated from FIT with a Fine Arts degree. His first job after graduating was working for a company that specialized in making dresses out of a fabric called “whipped cream.” Dissatisfied, after three months Klein asked for a hundred-dollar raise and when his boss declined, he quit.He soon took on a role at coat maker Dan Millstein, working as a sketcher. Of the role, Klein said “I learned a lot, because he threw me into the snake pit.” Millstein took Klein to the Paris haute couture shows, using Klein to copy the clothes they saw at the shows.Despite the perks of attending Paris Fashion Week, Millstein was known as a volatile and difficult boss and Klein soon made plans to leave. He was soon recommended for a role at Halldon Ltd, a manufacturer which specialized in fake-fur outerwear. It was this work that got him his first mention in the press, being included in Tobe Report in April 1967.calvin klein the brandAs the fashion press and industry debate RS’s departure from calvin klein and where this most American of brands will head next, there often appears to be a central aspect missing from the debate—the work and worldview of calvin klein the designer. The hiring of Simons and the collections he designed for the house almost seemed a disavowal of its heritage—that of a brand built on a modern simplicity that expressly evolved to suit people’s real lives. With little time for fantasy and clothes as spectacle, calvin klein spent his entire career (up until the sale of his company in 2002) refining a message of simplicity, sparseness and sensuality that was wholly American and wholly new.He was described by the Chicago Tribune as “a classicist at heart and his collection is reminiscent of the peak years of American sportswear.” Classic styles populated his collections (wrap coats, lean trousers, shirt dresses, pleated skirts, capes, blazers, satin shirts, sweaters in his favorite fabrics of camel hair, wool melton, gray flannels, suede, and velvet) alongside playfully pragmatic pieces like cotton poplin Bermuda shorts and bare swimsuits. What was most striking about his designs was how he took the easy, casual silhouette of sportswear and imbued it with the elegance of couture. Much of this ease was achieved through removing linings, bonding, and interfacing to create a much softer, natural drape to all of the pieces. Their sinuous femininity—with often plunging necklines—marked them as modern, liberated, cool. Grace Mirabella, then editor-in-chief of American Vogue , said to Newsweek: “If you were around a hundred years from now and wanted a definitive picture of the American look in 1975, you’d study Calvin.”For Klein, he wanted to “offer as much style as we can, and the more exciting the better. It’s making clothes that are classic and won’t be discarded in six months.” What was so visionary about him was his belief in separates as high fashion and in a seasonless, interchangeable wardrobe. Each collection was simply an evolution of the last, using many of the same and complementary fabrics—meaning that clients could purchase pieces that would perfectly match what they already had. His was a completely modern vision that took into account the way women really lived their lives, telling WWD in 1978: “As I see it, now we look to women who are accomplishing things, not rich women who wear clothes.” Unencumbered by ideas of tradition and propriety, Klein felt no need to kowtow to accepted fashion rules and instead brought in an easy flexibility to high fashion that is still felt in how we dress today. With each season, Calvin became more and more confident—his vision clearer, his tailoring less structured and increasingly soft. Modern yet sexy clothes that were, according to WWD, “pure and wearable, yet never dull and safe…clothes that have all the right fashion looks—big, fluid, long—yet are never overpowering.” Looking through 1970s fashion magazines Klein’s designs leap off the page—they look as contemporary today as they did then, primarily due to a simplicity of line that few other designers came close to. While Halston was Klein’s closest peer in minimalism, Klein more comfortably designed across all aspects of a woman’s life—casualwear, loungewear, work clothes and evening pieces—at a broader price point. Perhaps this is why Klein more effortlessly expanded into diffusion lines and denim, while Halston’s attempt to make an affordable line for JC Penney in the 1980s, Halston III, was met with criticism, shocked customers and low sales. While other American designers (Geoffrey Beene, Bill Blass, etc.) started their own lower-priced ready-to-wear, more casual lines in the early 1970s, calvin klein had only one collection until the late 1970s when he licensed his denim to Puritan.Klein’s first stock was by luck. Donald O’Brien, then vice-president of Bonwit Teller, was on his way to a different appointment when he happened to see one of Klein’s coats hanging on his studio door and made an impromptu visit. O’Brien then invited Mildred Custin, who Klein called “the grand dame of the retail world.”Custin made a sizable order and doors continued to open after this, especially after Bonwit Teller took out full page advertisements showing off Klein’s wares in The New York Times. Soon, Bergdorf Goodman and Saks would place orders, leaving calvin klein Ltd to gross a million dollars in its first year of business. As the company grew, Klein decided to move his offices into the building where his former employer Dan Millstein was based in an attempt to rub his old boss’s face in his newfound success.This success led Klein to hold his first fashion show in April 1970. The show was modest, costing around $10,000 dollars to produce. The show was deemed a huge success, with WWD saying in their report that “In just 50 pieces, calvin klein joins SA’s [Seventh Avenue’s] Big Names as a designer to watch.” Klein was also seen as, in WWD’s words, “the fashion answer to this season’s rising prices.”By 1971, Klein was a success story, with volume at $5 million. Later on, needing to expand even further, Klein took over his old boss’s Dan Millstein’s space as that company suffered. Millstein had intentionally quoted an overpriced figure to put off Klein, but Klein paid the amount and bought several objects in the office that were there back when Klein was an employee. He also took over Millstein’s actual office space.In 1973 he won his first Coty American Fashion Critics award. Next year, he won the award for the second time in a row. By 1975, revenues were at $17 million and Klein had been voted into the Coty Hall of Fame. At 33, he was the youngest designer to achieve this. By 1976, Klein’s licensing deals alone made the company $6 million. The company hired Hermine Mariaux, a former director of VLT in America, to oversee the roster of licenses. —This is 100% authentic; I sell many designer items, all with great reviews, so please check my feedback for reassurance. Product names, logos, brands, and other trademarks featured or referred to within our products and services and within our account are the property of their respective trademark holders and are used for identification purposes only. We are not an official or authorized dealer for any of the brands we sell and all our products are 100% authentic. These trademark holders / manufacturers are not affiliated with us, our products, or our website. They do not sponsor or endorse our materials. Here is a partial listing of these trademarks and their owners. This list is subject to change without notice.Do not hesitate to contact me for further questions except authenticity! All my items are 100% authentic and bought in authorized boutiques!The brand name is protected and is only used here because it is part of the product and indicates the quality. He was described by the Chicago Tribune as “a classicist at heart and his collection is reminiscent of the peak years of American sportswear.” Classic styles populated his collections (wrap coats, lean trousers, shirt dresses, pleated skirts, capes, blazers, satin shirts, sweaters in his favorite fabrics of camel hair, wool melton, gray flannels, suede, and velvet) alongside playfully pragmatic pieces like cotton poplin Bermuda shorts and bare swimsuits. What was most striking about his designs was how he took the easy, casual silhouette of sportswear and imbued it with the elegance of couture. Much of this ease was achieved through removing linings, bonding, and interfacing to create a much softer, natural drape to all of the pieces. Their sinuous femininity—with often plunging necklines—

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