1921 Henrietta WAKEFIELD Carmen Regina VICARINO Rigoletto Marie Volevi NML 1031

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Seller Store carsten_sf
(9657) 100.0%,

Location: San Francisco, California
Ships to: US,
Item: 126770712627

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Artist:CLICK RIGHT ARROW > FOR CONDITION,Regina Vicarino,Henrietta Wakefield,Marie Volevi,Josefa Donnelli
Release Title:Rigoletto Caro Nome/ Carmen Habaner
Genre:Classical,Opera
Record Label:National Music Lovers
Record Size:10″
Speed:78 RPM
Catalog Number:1031
Sub-Genre:Opera
Language:Italian,English,French,Spanish
Style:Aria,Ars Nova,Cantata,Canzona,Chorale,Elegy,Film Score/Soundtrack,Lied,Lullaby,Madrigal,Mass,Motet,Musical/Original Cast,Oratorio,Vocal,A Capella,Ballad,Barcarolle,Canon,Duet,Eastern European Music,France & Belgium,French Music & Chansons,Germany & Austria,German music,Italian Music,Requiem,Russian Music,Spanish Music,Traditional & Vocal
Format:Record
Material:Shellac

Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the “ADD TO CART” button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great OPERA Records from early G&Ts to World War II recordings on 78 rpm Victrola RecordsClick this link for more great RICHARD WAGNER Records in my other listings! Click this link for more great Opera and Vocal Records in my other listings! Regina Vicarino, from a 1916 publication.Tantalizing NOM DE DISQUE record on acoustic NATIONAL MUSIC LOVERS of New York label: After consulting some experts, names are pseudonyms, and the identities of these singers are not known in all cases. What makes it tantalizing is that NML used a variety of sources, among them Black Swan pressings of early Negro opera singers. The singers are of highest quality, ostensibly European or European trained, not the usual second rank studio talent Two Rare recordings, according to Larry Holdridge: 1031A Josefa Donnelli (Regina Vicarino) – Caro Nome (“Rigoletto”)(Verdi) – 19108=A – OL19108source Olympic/ Plaza1031B Marie Volevi (Henrietta Wakefield) – Il Habanera (“Carmen”)(Bizet) – 19102 – OR0194source Oriole/ Plaza Henrietta Wakefield – an important US Contralto sang at the MET from 1907 – 1912, then 1919 – 35, sang in premiere of Deems Taylor King’s Henchmen made only one Victor record, Regina Vicarino, a member of the San Carlo Opera Company, and likened in a 1913 San Francisco Call interview to Luisa Tetrazzini, made no other known records. Great NATIONAL MUSIC LOVERS of New York 10 ” 78 rpm record. Condition: EXCELLENT pristine, plays E+ EXCEPTIONALLY QUIETa choice copy Regina Vicarino member of the travelling San Carlo Opera Company 1913 San Francisco Call praises her matchless coloratura (and same rank as Tetrazzini) in Thais, Lucia and La Traviata, Full page article Feb 1913 w illustration SF Call : 1907 SF debut as Aida, sings everything from Mezzo to high Coloratura,even Strauss Elektra “the most awful thing”, sang in Havana and Mexico City Mimi next to Aless Bonci Rudolfo. Wakefield, Henriette, Alt, * 1878 New York, † 23.10.1974 Norwalk (Connecticut); die Künstlerin wurde vor allem durch ihre langjährige Tätigkeit an der New Yorker Metropolitan Oper bekannt. 1907 wurde sie an dieses bedeutendste amerikanische Opernhaus berufen, dem sie zunächst bis 1912 und dann wieder 1919-35 angehörte. In dieser Zeit hat man sie an der Metropolitan Oper in einer bunten Vielfalt von Partien bewundert, darunter als Magdalene in den »Meistersingern«, als Suzuki in »Madame Butterfly«, als Nancy in »Martha« von Flotow, als Maddalena im »Rigoletto«, in Alt-Partien aus dem Ring-Zyklus bis hin zu Comprimario-Rollen. 1909 wirkte sie dort in der amerikanischen Erstaufführung von Smetanas »Verkaufter Braut« mit; sie sang an der Metropolitan Oper u.a. in den Uraufführungen der Opern »The King’s Henchman« von Deems Taylor (17.2.1927) und »Merry Mount« von Howard Hanson (10.2.1934). Ihr umfangreiches Repertoire gestaltete sie musikalisch wie darstellerisch in vortrefflicher Weise. Bekannt wurde die Künstlerin auch durch ihr Auftreten in Musical Comedies am New Yorker Broadway sowie durch Gastspiele und Konzerte in den nordamerikanischen Musikzentren. Nach Beendigung ihrer aktiven Laufbahn betätigte sie sich in New York als Pädagogin und ist dort hochbetagt gestorben. Von der Stimme der verdienten Sängerin existiert eine Victor-Platte mit Operettenszenen, ferner wirkt sie in einer Aufnahme der Oper »Peter Ibbetson« von Deems Taylor auf EJS mit. The San Carlo Opera Company was a touring grand opera company founded by the Italian-American impresario Fortune Gallo. Taking over management of a touring opera company led by Mario Lombardi that was stranded in St. Louis, Missouri in 1910, Gallo brought them back to New York City, untangled their finances, and reorganized them as the San Carlo Opera Company, opening in December 1913 with a premier performance featuring “Carmen”. Until its disbandment in the mid 1950s, the company – 100 strong, including 30 instrumentalists – toured annually in the USA and Canada, visiting cities and towns poorly served by other companies, and often ventured as far afield as Europe, and South America. Part of Gallo’s success was his innovation of using local talent and heavily advertising their use to spur ticket sales. The company fared well, and in 1927 Gallo built the Gallo Opera House on West 54th Street in New York City. It would later become Studio 54. The San Carlo company holds the distinction of having performed in the very first sound film of a complete opera, “Pagliacci,” in 1929. Gallo did not try to turn the opera into a “moving picture,” rather this was a filmed stage production, with stage sets, framed by the proscenium arch. During the war years of 1943 and 1944, Gallo produced a full season of opera in Chicago, which had lacked a resident opera company for some years, under the name Chicago Opera Company, using both his San Carlo company and visiting artists. Carlo Moresco notably served as the company’s music director from 1947 until its demise roughly ten years More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS – VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don’t give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.”EXCEPTIONALLY QUIET” is close to noiseless, like a vinyl pressing.”VERY QUIET” is an above average quiet record for a given pressing.”Quiet” is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don’t like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit’s eCommerce Solution

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